Capture, manipulate, project, preserve:  A compositional journey

Peter John Stollery

doi:10.1386/jmte.6.3.285_1

Capture, manipulate, project, preserve: A compositional journey

Peter John Stollery

Music

Research output: Contribution to journal › Article › peer-review

3 Citations (Scopus)

36 Downloads (Pure)

Abstract

Much of the text in this article first appeared as an invited keynote presentation given at the From Tape to Typedef; Compositional Methods in Electroacoustic Music symposium held at the University of Sheffield, UK, from 30 January to 2 February 2013 and charts a personal compositional journey from the early 1980s to the present day, referencing compositional methodologies and remarking on what has changed (if anything) over a 30-year career composing with technology on fixed media. The relationship between soundscape composition and acousmatic music is examined with reference to a number of projects and pieces of music including Peel, ABZ/A, Gordon Soundscape, scènes, rendez-vous and the Three Cities Project.

Original language	English
Pages (from-to)	285-298
Number of pages	14
Journal	Journal of Music, Technology & Education
Volume	6
Issue number	3
DOIs	https://doi.org/10.1386/jmte.6.3.285_1
Publication status	Published - 1 Dec 2013
Event	FROM TAPE TO TYPEDEF 2013 - University of Sheffield, Sheffield, United Kingdom Duration: 30 Jan 2013 → 2 Feb 2013 http://music.dept.shef.ac.uk/ocs/index.php/t2td/t2td2013

Keywords

listening
sound mapping
acousmatic attitude
compositional methodologies
acousmatic composition
soundscape composition

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Cite this

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KW - sound mapping

KW - acousmatic attitude

KW - compositional methodologies

KW - acousmatic composition

KW - soundscape composition

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Y2 - 30 January 2013 through 2 February 2013

ER -

Capture, manipulate, project, preserve: A compositional journey

Abstract

Keywords

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