Abstract
My thinking on the topic of the intersection of fiddle music and dance is shaped by ideas about art and utility which for me also affects how I view ‘tradition’. In discussing these terms I speak mainly from the perspective of my research in Canada’s Maritime Provinces, particularly New Brunswick. Since I believe that ethnographic scholarship, built on the principle of participant observation, rests upon a foundation of self-knowledge, I open each
section with personal history. I begin with fiddlers.
section with personal history. I begin with fiddlers.
Original language | English |
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Title of host publication | Ón gCos go Cluas |
Subtitle of host publication | From Dancing to Listening |
Editors | Liz Doherty, Fintan Vallely |
Publisher | Aberdeen University Press |
Chapter | 1 |
Pages | 1-13 |
Number of pages | 13 |
ISBN (Print) | 978-1-85752-073-6 |
Publication status | Published - 2019 |
Publication series
Name | Fiddle and Dance Studies from around the North Atlantic 5 |
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