Abstract
In comparison to Los Angeles, there was never an Iranian «community» of popular musicians in Germany. Nevertheless, Iranian popular musicians and scholars debating popular music left their traces. In this overview, musicologist and anthropologist Amin Hashemi discusses the most important of these, and asks why some were more successful than others.
| Original language | English |
|---|---|
| Publisher | norient.com |
| Media of output | Online |
| Publication status | Published - 20 May 2021 |
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