Abstract
While the Expressive Arts curriculum aims for a holistic approach to drama, the weight given to its individual components is skewed. Since the implementation of the Scottish Curriculum for Excellence (CfE) this research is the first to focus on primary teachers’ perspectives on theatre arts technology (lighting, set, sound, props, make-up and hair, and costume), as both a pedagogic tool and component of performance. Exploring the unequal p‘arts’ of the drama curriculum, the study identifies a significant curricular imbalance: the single mention of theatre arts technology in the primary level drama descriptors stands in direct contrast to the nine collective mentions of performance-based skills (voice, movement, and role play). Drawing from a larger mixed-methods study the research surveyed 83 teachers across diverse primary demographics using a 32-item questionnaire which was analysed via descriptive statistics and inductive content analysis.
| Original language | English |
|---|---|
| Article number | 7 |
| Pages (from-to) | 1-27 |
| Number of pages | 27 |
| Journal | Drama Research: international journal of drama in education |
| Volume | 17 |
| Issue number | 1 |
| Early online date | 12 Mar 2026 |
| DOIs | |
| Publication status | Published - 1 Apr 2026 |
Bibliographical note
‘This article was first published in Drama Research: international journal ofdrama in education Volume 17, April 2026 at:
https://www.nationaldrama.org.uk/drama-research/
It is one of a wide range of articles on drama/theatre in education available
by subscription to the journal at:
https://www.nationaldrama.org.uk/subscribe-to-drama-research/
Access to the journal is free to members of National Drama. Join National
Drama at https://www.nationaldrama.org.uk/subscribe/
Keywords
- primary drama education
- expressive arts
- theatre arts technology
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