At The Crossroads

Aaron McGregor; László Rózsa; Alex McCartney; Lucia Capellaro

At The Crossroads

Aaron McGregor (Performer), László Rózsa (Performer), Alex McCartney (Performer), Lucia Capellaro (Performer)

Music

University of Nottingham

Research output: Non-textual form › Performance

Abstract

Inspired by the idea of the crossroads, this programme is focussed on the meeting points between different musical styles, the free sharing of ideas when people travel, bringing new music and experiences, from the collecting of folk melodies to work mixing classical & non-western styles. We pair historical pieces with improvised / newly-written “reflections” based on older material, from folk material gathered in 18th-century Scotland, China, and India, to Franco-Italian sonatas by Elisabeth Jacquet de la Guerre, and country dances by Ignatius Sancho, the first Black Briton to publish music.

Original language	English
Publisher	Chamber Music Scotland
Publication status	Published - Mar 2023

Bibliographical note

Performance

Scottish tour organised by Chamber Music Scotland as part of their Underrepresented Composers Tour. I performed on violin, researched the material and produced performing editions.

At The Crossroads, performance at Brodick Hall, Arran; County Buildings, Wigtown; and St Cyprian's Church, Lenzie

Cite this

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N2 - Inspired by the idea of the crossroads, this programme is focussed on the meeting points between different musical styles, the free sharing of ideas when people travel, bringing new music and experiences, from the collecting of folk melodies to work mixing classical & non-western styles. We pair historical pieces with improvised / newly-written “reflections” based on older material, from folk material gathered in 18th-century Scotland, China, and India, to Franco-Italian sonatas by Elisabeth Jacquet de la Guerre, and country dances by Ignatius Sancho, the first Black Briton to publish music.

AB - Inspired by the idea of the crossroads, this programme is focussed on the meeting points between different musical styles, the free sharing of ideas when people travel, bringing new music and experiences, from the collecting of folk melodies to work mixing classical & non-western styles. We pair historical pieces with improvised / newly-written “reflections” based on older material, from folk material gathered in 18th-century Scotland, China, and India, to Franco-Italian sonatas by Elisabeth Jacquet de la Guerre, and country dances by Ignatius Sancho, the first Black Briton to publish music.

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At The Crossroads

Abstract

Bibliographical note

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Cite this