Abstract
A generalised song is a means of drawing parallels between words and music. The parallels are encoded in a mathematical structure, which is interpreted in a verbal structure and a musical structure. Here we develop a number of new techniques for drawing such parallels, in giving two examples of generalised songs, `Relation', and `Merge/Split'.
The first five partials of a note played on a piano are roughly 0,12,19,24,28 semitones above the fundamental.`Relation' is a generalised song, whose musical part is played on a piano, constructed from the mathematical relation 4.28 = 3.12 + 4.19.
`Merge/Split' is a generalised song whose mathematical part consists of the mathematical operations of merging and splitting, the braid relation, and coassociativity.
The first five partials of a note played on a piano are roughly 0,12,19,24,28 semitones above the fundamental.`Relation' is a generalised song, whose musical part is played on a piano, constructed from the mathematical relation 4.28 = 3.12 + 4.19.
`Merge/Split' is a generalised song whose mathematical part consists of the mathematical operations of merging and splitting, the braid relation, and coassociativity.
Original language | English |
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Pages (from-to) | 208-228 |
Number of pages | 23 |
Journal | Journal of Humanistic Mathematics |
Volume | 14 |
Issue number | 1 |
Publication status | Published - 14 Jan 2024 |