Abstract
Amidst the UK higher education strikes, Lorena Cervera and Isabel Seguí codirected #PrecarityStory, a short documentary that exposes the increasing precarisation of academic labour at universities. Released in 2020, the film follows a working day in the life of Isabel who, at that time, was a cleaner, researcher, and teacher at the same British elite institution. This is a (self-consciously) performative documentary (Bruzzi, 2006) inspired methodologically by the transmediatic form of Latin American testimonio, where an individual subject stands for a community and the film is an activist artefact in which ‘reality’ is managed creatively to further the political agenda of the filmmakers. This chapter explores the complexities of this approach in which a filmmaker and an empowered film subject join forces to challenge an exploitative workplace and interrogate the mode of production of collaborative cinemas.
Original language | English |
---|---|
Title of host publication | Constructions of the Real |
Subtitle of host publication | Intersections of Documentary-Based Film Practice and Theory |
Editors | Christine Rogers, Kim Munro, Liz Burke, Catherine Gough-Brady |
Place of Publication | Bristol |
Publisher | Intellect Books |
Chapter | 20 |
Pages | 11 |
Number of pages | 235 |
ISBN (Electronic) | 9781789387445 |
ISBN (Print) | 9781789387438 |
DOIs | |
Publication status | Published - 3 Jul 2023 |
Event | WayWORD Festival 2023 - University of Aberdeen; Aberdeen Arts Centre; Music Hall Aberdeen, Aberdeen, United Kingdom Duration: 16 Sept 2023 → 30 Sept 2023 http://www.waywordfestival.com |
Festival
Festival | WayWORD Festival 2023 |
---|---|
Country/Territory | United Kingdom |
City | Aberdeen |
Period | 16/09/23 → 30/09/23 |
Internet address |
Keywords
- alternative cinemas
- Cine Mujer
- collective filmmaking
- documentary cinema
- feminist documentary
- feminist film collectives
- film history
- Latin American cinema
- Latin American women's documentary
- political cinema
- Women's cinema