Review of Mary I. Ingraham, Joseph K. So, and Roy Moodley, eds. 2016. Opera in a Multicultural World: Coloniality, Culture, Performance.

Jane Forner

doi:10.7916/d8-0bsc-r397

Review of Mary I. Ingraham, Joseph K. So, and Roy Moodley, eds. 2016. Opera in a Multicultural World: Coloniality, Culture, Performance.

Jane Forner

Music

Research output: Contribution to journal › Book/Film/Article review › peer-review

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Abstract

Opera scholars have had something of a bounty in recent years. Opera in a Multicultural World: Coloniality, Culture, Performance follows in a line of collected volumes that have sought to diversify the field through critical focuses on race, identity, colonialism, and gender, including Opera Indigene: Re/presenting First Nations and Indigenous Cultures (2011, edited by Pamela Karantonis and Dylan Robinson), Blackness in Opera (2012, edited by Naomi André, Karen Bryan, and Eric Saylor), and Masculinity in Opera (2013, edited by Philip Purvis).

Original language	English
Pages (from-to)	273-280
Number of pages	8
Journal	Current Musicology
Issue number	102
DOIs	https://doi.org/10.7916/d8-0bsc-r397
Publication status	Published - 1 Apr 2018

Keywords

musicology
opera- social aspects
music- effect of multiculturalism on
music and race
operas-performances

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10.7916/d8-0bsc-r397Licence: CC BY-NC-ND

Forner_MaryI_VOR
© 2018 Forner. This is an open access article distributed under the terms of the Creative Commons-Attribution-NonCommercial-NoDerivatives License (CC BY-NC-ND). https://creativecommons.org/licenses/by-nc-nd/4.0/
Final published version, 539 KBLicence: CC BY-NC-ND

Cite this

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abstract = "Opera scholars have had something of a bounty in recent years. Opera in a Multicultural World: Coloniality, Culture, Performance follows in a line of collected volumes that have sought to diversify the field through critical focuses on race, identity, colonialism, and gender, including Opera Indigene: Re/presenting First Nations and Indigenous Cultures (2011, edited by Pamela Karantonis and Dylan Robinson), Blackness in Opera (2012, edited by Naomi Andr{\'e}, Karen Bryan, and Eric Saylor), and Masculinity in Opera (2013, edited by Philip Purvis). ",

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Review of Mary I. Ingraham, Joseph K. So, and Roy Moodley, eds. 2016. Opera in a Multicultural World: Coloniality, Culture, Performance.

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