The purpose of this article is to consider walking artist Hamish Fulton’s ‘walk-texts’ as ethical responses to the environment. In light of the environmental crisis that manifests in the proposed stratigraphic designation ‘Anthropocene’, Jane Bennett’s writing on enchantment offers a direction for thinking about how an ecologically ethical sensibility might be cultivated. Fulton’s communicative response to his walking art, I argue, embodies the discernment of ‘things in their sensuous singularity’ that Bennett identifies as a key attribute of enchantment. Yet, in his own writing on his art practice, the walk-texts are conceived as secondary – a necessary counterpart to walking as an experiential activity. By honing in on two recurring strategies we find in Fulton’s Cairngorm walk-texts – the list and the return – I argue that his work offers a linguistic mode that holds great potential for tuning us to environmental ethics in the Anthropocene.
- Hamish Fulton
- Jane Bennett
- sensuous singularity
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- School of Language, Literature, Music & Visual Culture, Film & Visual Culture - Teaching Fellow
- School of Divinity, History & Philosophy, George Washington Wilson Centre for Art and Visual Culture
Person: Academic Related - Scholarship