The Museum on the Edge of Forever

Jen Walklate* (Corresponding Author)

*Corresponding author for this work

Research output: Contribution to journalArticle

1 Citation (Scopus)

Abstract

This article argues that understanding any space or site relies on a knowledge of its fourth dimension - the timescape. It will explore this by situating the investigation in the museum - a place of heightened contrivance which could easily be shallowly interpreted as "mere style". It will defend a new method of investigating museum temporality which combines both phenomenology and literary theory, and will replace the idea of geo-epistemology with geochronic epistemology: an understanding of context and situation which takes on time as well as spatial location. In so doing, it moves on from notions of the museum as a place out of time, situating it in the networks of meaning, power and politics in which we have lived and are living. Thus, "the whole space of the exhibition" as Lyotard said, "becomes the remains of all time": the Museum on the Edge of Forever.
Original languageEnglish
Pages (from-to)49-76
Number of pages28
JournalTeorie Vedy/Theory of Science
Volume36
Issue number1
Early online date31 Dec 2013
DOIs
Publication statusPublished - 2014

Keywords

  • museum
  • time
  • literary phenomenology
  • geochronic epistemology

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