Abstract
This paper brings together emergent conversations in the disciplines of ethnobiology, anthropology, and ethnomusicology to examine the role of song in human-animal relationships in the context of the Tr'ondëk Hwëch'in First Nation in and around Dawson City, Yukon, Canada. Song has always been a critical tool in Tr'ondëk Hwëch'in human-animal interactions, as a powerful means of communicating with or about animals, who are understood to be non-human persons. This paper argues that the particular sentimental and communicative natures of song are mobilized as a means to promote, reinforce, and embody a certain set of relational values in the biocultural lifeways of Tr'ondëk Hwëch'in citizens. Recently Tr'ondëk Hwëch'in are turning to song as a means of negotiating the effects of global climate change, particularly as these critical relationships become more tenuous and unpredictable.
Original language | English |
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Pages (from-to) | 478-491 |
Number of pages | 14 |
Journal | Journal of ethnobotany |
Volume | 39 |
Issue number | 3 |
DOIs | |
Publication status | Published - 19 Sept 2019 |
Bibliographical note
This paper is based upon research conducted with the support of grants from the ERC Arctic Domus project at the University of Aberdeen, the American Philosophical Society's Phillips Fund, and the Jacobs Research Funds, as well as an Elphinstone Scholarship from the University of Aberdeen. I am most indebted to my friends in the Tr'ondëk Hwëch'in community and particularly to the Tr'ondëk Hwëch'in Heritage Department for their partnership and support in this research and for all they shared with me—Mahsi Cho!Keywords
- Tr'ondëk Hwëch'in
- environmental change
- human-animal interactions
- relationality
- song
- Tr'ondek Hwech'in
- DANCE