Abstract
The inhabitants of the Roman provincial city of Palmyra, in Syria, commemorated their dead with a distinctive type of funerary portraiture over a two-hundred-year period, starting in roughly 65 C.e. and lasting almost until the destruction of the city in 273 C.e. A large number of these portraits remain, making them an ideal corpus for the exploration of social relations in antiquity, in particular the negotiation of social identity under Roman hegemony.
Original language | English |
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Pages (from-to) | 135–161 |
Number of pages | 27 |
Journal | Maarav |
Volume | 20 |
Issue number | 2 |
DOIs | |
Publication status | Published - 1 Jan 2013 |