The devil and the detail: an illustration of otherness in John Nalson's 'An Impartial Collection'

Research output: Contribution to journalArticlepeer-review

33 Downloads (Pure)


An Impartial Collection of the Great Affairs of State was published in London, in two volumes, between 1682 and 1683. Its author John Nalson was a fervent believer in the twin pillars of the monarchy and the Anglican Church. In An Impartial Collection he holds up the internecine conflict of the 1640s as an example not to be followed during the 1680s, a period of further religious and political upheaval. Nalson’s text is anything but neutral, and its perspective is neatly summarised in the engraved frontispiece, which prefaces the first volume. This article will examine how this illustration, depicting a weeping Britannia accosted by a two-faced clergyman and a devil, adapts and revises an established visual vocabulary of ‘otherness’, implying disruption to English lives and liberties with origins both foreign and domestic. Such polemical imagery relies on shock value and provocation, but also contributes to a sophisticated conversation between a range of pictorial sources, reshaping old material to new concerns, and raising important questions regarding the visual literacy and acuity of its viewers.
Original languageEnglish
Pages (from-to)63-81
Number of pages19
JournalBulletin of the John Rylands University Library of Manchester
Issue number2
Publication statusPublished - 2019


  • frontispiece
  • engraving
  • otherness
  • Exclusion Crisis
  • propaganda


Dive into the research topics of 'The devil and the detail: an illustration of otherness in John Nalson's 'An Impartial Collection''. Together they form a unique fingerprint.

Cite this